Dimensions 33 × 45 cm

Date of publication

December 2019

In stock



Alice Pasquini: Limited Edition Print

This limited edition print, by Alice Pasquini “Untitled”, is hand signed and numbered by the artist on the front, and restricted to a specific quantity. All limited editions are professionally printed in Italy to the highest standards on museum quality paper.


UNTITLED, Alice Pasquini, 2019

29.2×4.8 cm (33×45.3 cm with marge)

Digital print on baryta paper 300gr

Signed and numbered on the front by the artist

Edition of 100


This work has appeared on the walls of Yogyakarta, Indonesia, in 2013 and then in a smallest version in 2015 in the Melilla prison, Women’s Section, Spain.

Drawing is my means of being a part of the world. – Alice Pasquini

A feminine perspective seen from a feminine eye. And art sits back and watches. For this reason, Alice continues to paint, to climb up the highest walls or to remain with her head bowed in the pages of her inseparable sketchbook, because “she knew she had but to open [her eyes] again, and all would change to the dull reality of adults” as was written in Lewis Carroll’s Alice in Wonderland. – Paulo von Vacano, Looking Through a Different Lens

Defiant and no-holds-barred. From the moment I met Alice, these were characteristics that shone through. Our first en­counter was emblematic of what was to become a friend­ship, then a working relationship, but always a sisterhood. – Jessica Stewart, A Kind of Sisterhood

Crossroads, a glimpse into the life of Alice Pasquini

Alice Pasquini’s artwork is seen not only on urban surfaces and walls, but also in galleries and museums in more than one hundred different cities around the world.
Alice travels continuously and her preferred canvases are city walls. The Roman artist, both a street artist and painter, has developed different threads in her research, from narrating feminine vitality to manipulating the three-dimensional possibilities of her work. She moves from urban explorations to installations using found materials.
Sydney, New York, Barcelona, Oslo, Moscow, Paris, Copenhagen, Marrakech, Berlin, Saigon, Buenos Aires, Singapore, London, and Rome are some of the cities where her work can be found.
Alice graduated from the Academy of Fine Arts in Rome, and has lived and worked in Great Britain, France, and Spain. While in Madrid she completed coursework in animation at the Ars animación school and, in 2004, obtained an MA in critical art studies at the Universidad Computense.
In 2018, she was commissioned to design the libretti for the 2019/2020 season at the Teatro Comunale di Bologna. In 2015 she collaborated with the Tourism and Culture Assessor and the Legality and Coastline Assessor of Rome for the 3D project Under Layers in Ostia. In 2013 she realized a cycle of works for the Capitoline Museums in Rome, which are visible in Piazza Campidoglio, as well as a panel for the Pinacoteca Comunale d’Arte Contemporanea in Gaeta, Italy. Her work has been exhibited in the Museo Italiano, Melbourne (2017), Saatchi Gallery, London (2016); MACRO Contemporary Art Museum in Rome (2014); Tri-Mission Art Gallery, American Embassy, Rome (2013); Galleria d’Arte Provinciale Santa Chiara e alla Galleria Nazionale, Cosenza (2013); Casa dell’Architettura, Rome (2013); Palazzo Candiotti, Foligno (2012); Espace Pierre Cardin, Paris (2012); Mutuo Centro de Arte, Barcelona (2012).
In addition, Alice has completed projects with international clients, such as Canada Goose, Canon, Nike, Range Rover, Toyota, and Microsoft, illustrated the graphic novel Vertigine (Rizzoli, 2011).
Alice and her work have been featured in New York Times International, The Wall Street Journal, l’Espresso, Panorama, Vanity, and many other international publications. In 2016 she was added to the Treccani Italian Encyclopedia.
She taught a cycle of workshops at the Hangar Bicocca in Milan in 2016 and collaborated with FIPAV and ATAC to repaint Rome’s Stazione Due Ponti. She has also collaborated with the Italian Cultural Institute of Singapore (2013), Uruguay (2015), and São Paulo (2019). In 2016 she was tasked with painting the facade of the Museo Italiano in Melbourne, where she also held a solo exhibition.

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